God does not exist. He is being-itself beyond essence and existence.
Therefore to argue that God exists is to deny him.
What a strange thing for a theologian to say! But once you recover from the shock of the first part of his statement, the second sentence goes some way to clarifying the first, and we see that this is not a denial of God, but an affirmation.
(At patheos.com there is an essay by Daniel Fincke, written in some measure against Tillich, titled “The Impossible God of Paul Tillich”
Fincke finds Tillich guilty of a kind of pantheism, and I can see why. Yet his mysterious words interest me.
When words have become the domain of propaganda and double-speak, when meanings shift and change or are perverted so radically that these meanings are obscured and destroyed, it is inevitable that another language would be sought.
The word “God” itself is so multivalent that it can mean a million contradictory things. It is at once the deity of the Islamist suicide bomber, the deity of the charlatan televangelist and so on.
The designation Christian can cast you into the company of intolerant and ignorant fundamentalists in some narrow corner of Texas, or a group of kind and tolerant quakers in rural England, or into the company of Syriac Orthodox believers in Baghdad.
I read somewhere that it is no accident that after the First World War, western art turned increasingly to abstraction, as if it could no longer bear to reflect reality (or rather the “maya”, the phantasmagorical world we have made for ourselves). Tillich’s theology is, for me, like a Rothko painting. I remember sitting silently in the Tate Gallery in London completely overwhelmed by a nameless emotion before the restrained, silent grandeur of Rothko’s large canvases. I was transfixed, moved beyond words. I think this is where Tillich takes us, his theology taking the path of artists and poets. I may be wrong: perhaps it is as Fincke says, that “Much of Tillich’s theology looks like a pantheistic or pagan theology onto which a superficial layer of exhausted Christian ideology is painted. That paint peels off easily”.
I do see Paul Tillich the philosopher and theologian as a kind of painter, and his paintings are in some sense like those of Rothko. Imagine sitting before Tillich’s mysterious “painting” – perhaps like “Untitled” above: the abstract painting of his theology. If you sit quietly enough, If you can silence the cacophony of the everyday, and suspend the clutter of received, conventional wisdom of the divine which can cloud the soul, you may hear the quiet voice of God.
Image: Mark Rothko. Untitled, 1969. Acrylic on canvas, 92 × 78 7/8 in. (233.7 × 200.3 cm). Private Collection. © 1998 Kate Rothko Prizel and Christopher Rothko. See: http://bigthink.com/Picture-This/finding-the-lighter-side-of-mark-rothko